Take Action #27: Getting your own practice copy together

1. This exercise is to help you begin to compile your own practice copy for you to work on and then eventually use to create your commercial or animation demo reel.

2. For commercial copy, find magazines, see which ads visually pop out at you and write down the advertisement (or if the magazine is yours, pull the page out). Remember that print copy reads differently from commercial audio copy, so use the print as a starting point and then make slight adjustments to help the line flow.

3. To build animation copy, find an inanimate object in your house, then begin to write a monologue or conversation this object/character might have with you about its needs or hopes or dreams. Another wonderful way to create animation copy is to write down your favorite characters from animated shows, then rename them and make changes to what you know of their experiences, then try building a history or story for them that you find interesting.

4. Note which type of ad goes with the different types of commercial types (hard sell, soft sell, partner read, tag, etc.) also review your animation copy to see what types of characters you’re showing off and make sure you have some variety that works with your voice.

5. Put all your found (and massaged) copy into a binder, and practice randomly flipping to different pieces and reading and performing them as you would if you were in the booth.

Wonderful. You’ve had the chance to hone your unique vocal qualities and become more familiar with your natural voice. You’ve also probably gotten to see how your body reacts to a warm-up and how that can better prepare your voice for a session. You’ve read copy and made choices and have begun the process of building your own personal stack of practice copy that you can use as you move toward making your demo reel.

Voice-over isn't like it used to be where only 'certain' voices worked, now there are voices of all kinds and varieties to make up the spice of life. Basically, if you are a solid actor, are professional and considerate and you have good mic technique there is no reason you can't work in VO, of course, someone would have to hire you, so you'd need your demo reel ($$$$, time, energy) and most likely you will need to secure an agent to represent you and get you auditions (time/energy) as well as giving yourself as much as an edge as possible by taking classes, practicing your craft, knowing your voice and how to take care of it; so planning a career in voice-over is an investment.

The wonderful world of voice-over allows you to create amazing characters, to teach, to entertain, to offer new alternatives and to go on a whole new adventure. Remember, voice acting just “acting” without the bonus of using your facial expressions or body language to convey something visually, so your intention has to come across with just your voice helped by your imagination. And we all have one of those…

Take Action #26 Practice Copy

PRACTICE WITH SCRIPTS & COPY So, your body is warmed up, your mind is awake and you’re ready to get your hands (well, your vocal cords anyway) dirty with some actual voice-over work. There’s a lot to take in when you are looking at a script so here are a few helpful (non-acting) hints and reminders.

As we mentioned in the book, if you’re working on ADR/dubbing, there might be notations in the script to let you know where pauses (sometimes called ‘hitches’) fall, at what time-code the line starts and ends, and what lines might be on-camera and not. If you’re recording original animation there might be loop numbers before each line of dialogue. Let’s review briefly some common notations, as any extra information you can mine from the page can help to inform your performance.

Hitches (means pause) (^, …, /_, ) MNS – mouth not seen, OM, CM – open mouth, closed mouth _______ - off screen Time code – 01:02:03:04

Below is a practice script, some fake commercial copy for you to practice with. Create a practice work session that you can go back and review by using some sort of audio recording device to record yourself while you practice out loud. Enjoy your session!

1.As you read, try circling all the notations you notice as well as be extra aware of any information you can mine from the page. 2 Ask yourself the Who-What-Where-When-Why-hoW questions to see what comes up. Underline this information to help you see if it affects your interpretation or acting choices.

COMMERCIAL COPY

Your new voice-over agent would like you to read some of the spots they just got in today so they can see what would best suit your voice. Often agents will have you read for all sorts of things when you first sign, as a way of throwing things up against the wall to see what sticks. So, go ahead and read the various copy that’s come in

Luxury: The Jewelry Outlet at KnollCrest is having a pre-Valentines engagement ring sale. Come on down and surprise your loved one with the proposal of a lifetime. We have 24 karat gold and platinum rings on sale for almost 30% off, this weekend only. High Energy: It’s Faaaaaaantastic. Super Fruit Bowl ‘O’Sugars get you ready for a day of fun in the sun. Filled with vitamins, minerals and naturally sweetened real fruit pieces, Bowl’O’Sugars are part of a complete breakfast. Start your morning right, be fan-tastic.

Promo This October, The Best Show on TV is moving to a new time…five days a week. Catch your favorite characters Mindy, Bobbi and Karl now at 7pm on KOOLTV.

Partner read: A: Honey did you forget to pay the phone bill? B: What do you mean, I thought it was automatic? A: Oh, right, its just so easy, I keep forgetting? B: Yeah, now we can spend time thinking about more fun things. A: Like if you paid the cable bill? Announcer: Don’t let bills get you down, use the automatic bill pay feature offered by Earth Bank to pay for all your charges throughout the month, even if your provider doesn’t have an auto feature set up. Earth Bank the bank of the Earth. Not available in intergalactic space station Giltex. Soft sell: Soft CleoPattra Egyptian sheets are specially designed to become softer with use…and every time you wash them the natural bamboo fibers relax just a hint more…which makes your bed even more comfortable to get into….who wouldn’t want to sleep in…Soft CleoPattra Sheets. Easy to sleep on, easy to sleep in. High Energy: I love hitting the BergerJack on the way to the game. I can fill up on all my favorites, a real ice-cream shake, a 100% beef patty and a large Idaho potatoes home fries for under 5 bucks. And I can even grab something for the coach, so if I’m a little late to practice sometimes, no harm done.

Tag: Prices based on participation and subject to change without notice, offer good only in the continental United States, all entries must be postmarked by July 4, or will not be considered.

The above copy will give you good practice in looking for clues on the page as well as making cold choices. Of course, there are so many different types of spots always remember you can tune into the radio or TV to see what is currently running.

Take Action #21: Trills

Roll your tongue on the roof of your mouth (in a “Spanish ‘R’ ” sound) while going up and down the scale Doing trills combines warming up your vocal cords with waking up your tongue. Since your vocal apparatus is like a machine, you want all of its parts warmed up, well-oiled and working together to create your best, strongest, most versatile voice.

Great articulation, and rapid tongue movement is what a ventriloquist uses when throwing their voice.

A great review for our book! Voice Over Voice Actor: What It's Like Behind the Mic

From: PlaybackSTL.com:

Yuri Lowenthal and Tara Platt/ Voice Over Voice Actor: What It's Like Behind the Mic

Even if you have no aspirations towards a career in voice-over, there’s a lot you can learn from this book.

256 pages. Emerald Book Company, 2010. $19.95 (paperback)

Everyone knows about the kind of acting where you actually see people doing stuff: Hilary Swank doggedly pursuing evidence to free her brother from jail or Jeremy Renner disabling IEDs in Iraq.  But there’s a whole other world of acting out there where the actor’s only tool is his/her voice. Not surprisingly this is called voice-over, and once you become aware of it, you will notice it everywhere: not only on the radio but also in commercials, live and animated film, television programs, video games, and recorded announcements. Basically, if you hear a voice and can’t see the person who is speaking, that’s voice-over.

Voice-Over Voice Actor: What It’s Like Behind the Mic, written by industry professionals Yuri Lowenthal and Tara Platt, provides an insiders’ view of the business of voice-over acting with a particular focus on actors who want to break into this market. Between them they have over 12 years of voice-over experience with clients including Disney, Nickelodeon, Cartoon Network, Dell, Coke and Subaru. Yuri is, among other things, the voice of the Prince of Persia in the video game series of the same name, Superman and Superman X on Legion of Superheroes, Ben Tennyson on Ben 10: Alien Force and Jinro/Kuma on Afro Samurai while Tara’s roles include Temari in Naruto (series and video games), Wonder Woman in DC vs. MK and Dream Girl in Legion of Superheroes.

They take a systematic approach to their topic, beginning with a description of the industry then moving through the practical processes of finding your voice, auditioning, creating a demo, building a home recording booth, marketing yourself, and actually doing the work. What I like best about this book is the informal yet business-like tone taken by the authors: they don’t offer shortcuts or “secrets to success” but point the way down a path which can lead to a rewarding career. And they’re not afraid to have some fun in the process: anecdotes, cartoons and fun facts are salted throughout the text, along with sidebars from other industry professionals which offer advice, war stories and other information about working in the voice-over business.

If you think you know something about voice acting (and even more so if you think it’s easier or somehow a lesser skill in comparison to conventional acting) I invite you to listen to the demo reels of Yuri (http://www.yurilowenthal.com/page4.html) and Tara (http://www.taraplatt.com/vo.html). Pretty amazing, huh? Not only do these demo reels demonstrate the versatility of these two actors, they also provide examples of how to assemble clips to showcase your talents briefly and effectively.

Even if you have no aspirations towards a career in voice-over, there’s a lot you can learn from this book. For instance, understanding the process by which anime dubs are created goes a long way toward explaining why you’re usually better off listening to the original soundtrack with subtitles. When animated films are first made, the dialogue is recorded and the animation is made to match the voices. Creating a dub reverses the process: the voice-over actor has to create a convincing performance while trying to match the mouth movements (flaps) of an animated character (who is “speaking” in a different language) while alone in the studio (generally each character is recorded separately) and working with little chunks (loops) of dialogue. That’s a tough gig any way you look at it.

You can learn more about Voice-Over Voice Actor from the book’s web site (http://voiceovervoiceactor.com/) which also offers bonus materials like exercises to improve your skills. You can also purchase the book from this web site and from online sources such as amazon.com. | Sarah Boslaugh

Go to PlaybackSTL

Take Action #10 - Can You Step Out of Your Natural Voice?

Stepping outside of your natural voice can be a lot of fun! Once you understand what your natural vocal qualities and “sound” are, you can begin to play outside the box and expand the range of characters and qualities you can offer. This exercise helps you play with a range of emotions. As you read the following phrases, you’ll notice that we have removed all punctuation, which can often be a clue to a phrase’s tone. But in order to expand your range, let’s play around with the many different ways the same phrase can be said. First, see what your natural inclination is when you read the phrase. Copy and paste this blog to a Word Doc, and after each one, write down the adjective that you feel most fits the phrase/sentence. For example, a sentence such as “stop,” might be angry. As you read the phrases, see how you naturally interpret the emotion associated with saying the words.

Exercise: Phrases

• Over here                                          
• I need that                                         
• Let go                                                   
• What are you talking about       
• Don’t do that                                    
• I don’t think that’s a good idea 
• Give me the new one                   
• No                                                         
• Try it again                                         
• Listen to me                                      
• Alright                                                 
• Stop right there                               
• Wow that’s huge                            

Now, review your phrase list and see how you naturally ‘heard’ the specific words. Perhaps your “no,” was “frustrated,” because you assumed that if you are telling someone “no,” it’s because you’re frustrated about something.

Becoming familiar with your instincts can be very helpful because it’ll allow you to make a choice outside of your natural inclination, which can yield very interesting results.

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Take Action #5 - Read Aloud

We stress the importance of reading out loud. It may seem simple, and maybe you haven’t done it in years, but it can be hugely effective in improving everything from your acting to your ability to quickly assess a script, make choices, and pull the words off the page. Sir Ian McKellen claims that reading out loud was how he learned to act, and I think most of us will agree that he knows his stuff in that area. So, good enough for Sir Ian, good enough for us. Here’s a simple exercise you can almost anywhere and on your own time: Pick three things to read. Any bit of written media will work. Start small if you want. A pamphlet, a matchbook, a newspaper article, a newspaper ad, a comic book, a shopping list, someone’s blog, anything. Over the course of the day, collect those three things. Now-- and this is where it gets tricky –read them. Out loud.

Read each one at least once through, and if you’ve got time and you’re enjoying yourself, read them through again. See if each time through differs for you. See how the writings may be different from each other. Is one a story? Is one just trying to sell a product? Is one using a story to try and sell a product? Is one just a list of numbers on a receipt? If you’re having fun, give a different “character” to each one, or even switch it up within the writings.

You may not feel a change after doing this exercise, but trust us, it gets your brain and mouth working in all the right ways. Most importantly, as long as you’re reading out loud there is no wrong way to do this exercise. Unless of course you’re a monk who had, until this exercise, taken a vow of silence. Or if you’re in a library where they frown on doing anything out loud.

Have fun!